Friday, January 30, 2009

YOU WILL NEVER BREAK ME, CAPTAIN BAMULA

I should have blogged this days ago, but this week has probably been the most hectic on Holmes. HUZZAH!! keeps on rolling and at a fair old pace. It's not even February and already we're on Page 9. Exciting times. Go check it out! Rob Davis has just started a new chapter - 'The Claws of Xog', which introduces the wonderful Baron Kazam!

Tuesday, January 27, 2009

Tuesday, January 20, 2009

SHERLOCK THUMBS THE HEMINGWAY AND GRACE UNDER PRESSURE


(Thumbnail roughs for pages 40-47 by me
The Hound of the Baskervilles © 2009 SelfMadeHero)


When I started 'The Hound of the Baskervilles' I rushed out and bought a Moleskine (mol-a-skeen'-a) notebook. I've always wanted a Moleskine notebook but never been brave enough to draw in one. I usually work on loose sheets of office paper. As I've scribbled furiously over the past few months I've come to suspect that the reason I draw in blue pencil and the reason I wouldn't normally dare draw in Moleskine notebooks is because I have commitment issues when it comes to drawing. I can screw up a sheet of office paper, I don't have to scar a sketchbook by tearing out a page. And drawing with blue pencil, well, there's always been something less permanent about blue pencil over regular HB graphite. If you rub out blue pencil you still see the trace of your mistakes, but its not the horrible gray mess that graphite leaves behind (no matter how good your rubber is). And besides, its blue, and as all sensible boys know, blue's the best color there is. So that's the theory.

'Hound' from about forty pages onward has been scribbled in my blessed Moleskine notebook. As Holmes would correctly deduce, it took me till page forty to brave it. I didn't throw off all my clothes and rush head long into the roaring surf. I daintily dipped my toe. But hey, no turning back now.

I draw a cross in the center of the page and then allocate a page to each quarter giving me an eight page overview across two notebook pages (as above). I then scan these pages in their respective segments and import them into Manga Studio. I then roughly layout the lettering and work my pencil up accordingly - I figure out all my composition at this stage. After I have rough pencils I finish off the lettering with speech balloons and then return to ink the page.

I divide up my concentration throughout the art process. I don't work everything out at the pencil stage. I work briskly at this stage because I keep to mind that all I need is a roughly plotted course. So onward I go. I don't hang about because I know that I can come back to it at the inking stage and everything wrong will be right again. It's something to look forward to.

Inking can sometimes be equal parts tedium and joy. Tedium when you've plotted that course all too well in the pencil stage and the imagination at this point is sitting there in the back of my skull like some over-excited dog wondering why we've suddenly stopped playing. And joy when I find those parts of the drawing where I couldn't be bothered to figure them out at the time. Which is why, when I'm working to a tight deadline, inking is never tedious.

It's a golden rule. If I get stuck I don't stop. This is where the eight page overview comes into play. I know what's happening over the next eight pages. It's not un-navigated ocean. I know where be monsters. So if ever over those eight pages I get stuck I move on to the next panel. A panel I can draw. The complicated drawing gets thrown to the over-excited dog at the back of my skull like scraps from the kitchen table, and by the time I've finished drawing the easy panel, the panel I can draw, the problem returns to me magically resolved and I return to the panel I couldn't draw earlier and the sated over-excited dog takes a quiet nap.

It's then a quick export into Photoshop where I color the page up, re-apply the lettering with live type and that's that. Job done. Off it goes to my dear old chums in London town, to SelfMadeHero, where the book is laid out and proofed before it undergoes any revisions and finally goes off to the printers and hits the shelves in May!*

*The latter part of this process I greatly underestimate because by this point I'll be rushing headlong into the roaring surf and scribbling frantic thumbnails in my Moleskine for the next Sherlock Holmes adaptation Edginton and I are undertaking - A Study in Scarlet (due out in October this year).

Friday, January 16, 2009

THE GHOST OF A ROSE


My latest contributions to HUZZAH!! are on the HUZZAH!! blog, so go check them out.

Tuesday, January 13, 2009

AN EVENING IN


(The Hound of the Baskervilles © 2009 SelfMadeHero)

Monday, January 12, 2009

THE SIX-FINGERED MAN

It's been a hectic week so I've not been able to post. I had a solid week slated for coloring which meant blocking out the light to my room and working through night and through day. I do not exaggerate when I say my eyes now look like red onions. Alright, I am exaggerating and they don't look like red onions, but a day or two ago they did look like Christopher Lee's eyes in Dracula. Is one eye being more bloodshot than the other a fair indicator of which eye works harder than the other? I have my suspicions. Thankfully that boat load of work is done and a good solid chunk of Baskervilles is in the bag.

Onward.

Yesterday, whilst drawing Baskervilles, I drew the six-fingered man. A deliberate mistake, an Easter egg for my father-in-law to find. After he read The Picture of Dorian Gray I received a full report including notes. Bless! (he thought he'd found an anachronism but fortunately was mistaken). So I thought it only fair to now include 'the six-fingered man' in every book I do.

The six-fingered man originally appeared in a "Hornby Dublo" catalogue (1957) which he (the father-in-law), owns. It's a great picture of a father pointing at a railway set (I think the father's even smoking a pipe - that memory might be distorted - he's a very Church of the Sub Genius sort of father), only the artist has over compensated on the digits and the father has an extra finger. He (the father-in-law), loves this picture because its wrong. And so there you have it, the origins of the six-fingered man.

Right then. I've got pages to draw. I better be off.
(The Hound of the Baskervilles © 2009 SelfMadeHero)

Sunday, January 04, 2009

Saturday, January 03, 2009

MATT SMITH IS THE ELEVENTH DOCTOR


Quite a surprise. But also quite interesting and I think quite exciting. I like his hands. I reckon he'll become known as the Doctor with the hands!

Friday, January 02, 2009

HUZZAH!!


And a HAPPY NEW YEAR!!

We'll 2008 is now the year that was. And what a year it was! I knew 2008 was going to be a year of change, but boy oh boy, I wasn't expecting it too be so full of change!

Who Killed Round Robin? finally has the answer to that titular question (brilliantly concluded may I add by the wise and all too fabulous Colin Fawcett). And in its wake there's now a new round robin for 2009 named simply HUZZAH!! the first three plates of which I finished in time for the New Year launch. Please do go check it out. The rules are a little different to WKRR? taking many of the lessons we learned from that and hopefully setting the stage for something quite epic.

All the very best to you this New Year!

Thursday, December 25, 2008

Tuesday, December 23, 2008

JOHN H. WATSON, M.D.


(The Hound of the Baskervilles © 2008 SelfMadeHero)

Here's a rough of Dr. Watson for one of the pages I'm working on right at this very moment for Hound of the Baskervilles. Thought I'd take a quick snap shot and post it here.

The wet proofs for a handful of test pages arrived yesterday morning from the printers so I could see how the color would print and I'm rather pleased and excited.

Now then. About Dr. John H. Watson:

IN the year 1878 I took my degree of Doctor of Medicine of the University of London, and proceeded to Netley to go through the course prescribed for surgeons in the army. Having completed my studies there, I was duly attached to the Fifth Northumberland Fusiliers as Assistant Surgeon. The regiment was stationed in India at the time, and before I could join it, the second Afghan war had broken out. On landing at Bombay, I learned that my corps had advanced through the passes, and was already deep in the enemy's country. I followed, however, with many other officers who were in the same situation as myself, and succeeded in reaching Candahar in safety, where I found my regiment, and at once entered upon my new duties.

The campaign brought honours and promotion to many, but for me it had nothing but misfortune and disaster. I was removed from my brigade and attached to the Berkshires, with whom I served at the fatal battle of Maiwand. There I was struck on the shoulder by a Jezail bullet, which shattered the bone and grazed the subclavian artery. I should have fallen into the hands of the murderous Ghazis had it not been for the devotion and courage shown by Murray, my orderly, who threw me across a pack-horse, and succeeded in bringing me safely to the British lines.

- (Being a reprint from the reminiscences of JOHN H. WATSON, M.D., late of the Army Medical Department), A Study in Scarlet.

The beauty of what you've read above is, as I see it, what's there to be read between the lines. Doyle was superb at marrying fact with fiction, in order to make the fiction all the more plausible. In the introduction to Doyle's 'The Maracot Deep' John Dickinson Carr wrote:
'No small part of our author's genius was his ability to tell a story so persuasively that it sounded like a narration of fact.'
And it's that no small part of his genius that brings me to Dr. Watson and the Battle of Maiwand. Whilst many may know of Watson through Nigel Bruce's portrayal of a bumbling baffoon, Sir Arthur Conan Doyle portrayed Holmes' chronicler, Dr. John H. Watson as a capable and brave man - a 'whetstone' for Holmes' mind.

The bravery of the English soldiers that fought in the Battle of Maiwand was noted by an Afghanistan officer. The British had lost and were down to 11 men.
"These men charged from the shelter of a garden and died with their faces to the enemy, fighting to the death. So fierce was their charge, and so brave their actions, no Afghan dared to approach to cut them down. So, standing in the open, back to back, firing steadily, every shot counting, surrounded by thousands, these British soldiers died. It was not until the last man was shot down that the Afghans dared to advance on them. The behaviour of those last eleven was the wonder of all who saw it".
Now, given that Watson survived he clearly wouldn't have been one of the final eleven (if we marry fact with fiction for a moment as Doyle suggests) but another matter cements his courage and devotion to my mind.

In 'A Study in Scarlet' (re: above) it states that Watson was shot in the shoulder (wounded by a Jezail bullet), and its this wound that had him pulled out of active service. In 'The Sign of Four' (another of the books we're adapting), he makes reference to a war wound in his leg.
'I made no remark, however, but sat nursing my wounded leg. I had a Jezail bullet through it some time before, and, though it did not prevent me from walking, it ached wearily at every change of the weather.'
Which was it, the shoulder or the leg? That's something that's sometimes been a matter of debate. Well, if our Watson served at the battle of Maiwand and if the description given by the Afghanistan officer is anything to go by then the answer's quite simple as I see it. It was both. Not only that, but Watson was already significantly wounded before he took the bullet in the shoulder which retired him from the battlefield for good. Had he, even wounded, tried desperately to save lives in the chaos that was the battlefield of the Maiwand? Watson was a courageous and devoted man and yet he himself is quick to note the devotion and courage of another! In factual context, Watson was truly an exceptional fellow.

Wednesday, December 17, 2008

2000AD PROG 2009 - SCROTNIG 100-PAGE CHRISTMAS MEGA-SPECIAL



Prog 2009 is on sale today!
And in it you will find the Stickleback Christmas Special I spoke of back in November. The story is called 'T'was the Fight before Christmas' which is by strange coincidence the same title given to the Sinister Dexter story Stickleback co-creator and original artist D'israeli debued with ten years ago as a colorist. For those following the references slipped into these stories, Fishpaste is not the only one I managed to sneak in.

Friday, December 12, 2008

THE LION AND THE SKULL


New plate up on WKRR? A little different to what I normally do. Not long now before the strip comes to an end and a new Round Robin starts for 2009.

Tuesday, December 09, 2008

OLIVER POSTGATE

Just heard this morning that Oliver Postgate passed away peacefully aged 83. He created some of the best loved television for children, including the Clangers, Ivor the Engine, Bagpuss and Noggin the Nog. He's certainly been an enormous inspiration to me. Let's not think the world a gloomier place for not having Mister Postgate in it anymore, rather it's a better place for Mister Postgate having been in it at all. The memories he leaves behind for generations of children are filled with Soup Dragons and small green locomotives and for that all I have left to say is thank you Oliver Postgate. Thank you.

Wednesday, December 03, 2008

HOLMES FROM THUMBNAILS TO INKS


The Hound of the Baskervilles © 2008 SelfMadeHero

Sunday, November 23, 2008

STICKLEBACK CHRISTMAS SPECIAL


Stickleback © 2008 Rebellion Developments/2000AD
Stickleback created by Ian Edginton & D'Israeli.
Drawn by me.


The cat is well and truly out of the bag so I may as well show you a sneak peek from the story I've drawn for the 2000AD Christmas special (Prog 2009) which I mentioned back in September. It's a festive Stickleback story written by Ian Edginton. Stickleback is usually drawn by D'Israeli who's artwork for the series is three things; absolutely gorgeous, distinctly Stickleback and a blooming hard act to follow.

Many thanks to Ian, D'Israeli and Tharg for this opportunity. I had a blast doing it.

Friday, November 21, 2008

PATERSON JOSEPH THE NEW ... POTENTIALLY THE NEW DOCTOR WHO?

This is Phillip Rhys, who play Al Sadiq in the new series 'Survivors' who reels off the cast list and says "Paterson Joseph who's gonna be the n.... potentially the new Doctor Who". See what you make of this:

Thanks to Col for the heads up.

TALK TALK (UPDATED)

I went down to London Town on Sunday to talk to Paul Gravett in front of lots of people at the ICA about Dorian and a little bit about Holmes, the first two pages of which you can see projected on the screen in the background of this picture. That's me on the left, that's Paul Gravett in the middle and that's Ian Edginton on the right.

In other news, here's a review of The Picture of Dorian Gray from The Bookseller.


(click to enlarge)

(UPDATE): And there's also these splendid words:

"Films and graphic novels have a lot in common – indeed I could have used much of this as my storyboards. It's terrific to see Wilde's work in this form and it's a great way to reach a wider audience. The visuals are bold and striking and the text very skillfully abridged."

- Oliver Parker, director of 'The Importance of Being Earnest', 'An Ideal Husband' and the forthcoming 'Dorian Gray'.

Thursday, November 13, 2008

THE VIOLINST


The Hound of the Baskervilles © 2008 SelfMadeHero

BAF'08 STORYBOARD WORKSHOP CANCELLED

I arrived in Bradford just before midnight last night to find there was a problem with reservations and that I didn't have a room at the hotel I was supposed to be staying at. Unfortunately there were no vacancies in any of the other hotels in the whole of Bradford. So I had to get back in my car and drive all the way home again, not getting back till 3am. So, unfortunately due to these unforeseen circumstances the workshop I'd spent so much time preparing for had to, regretably, be canceled. My apologies to anyone who was hoping to attend.