WKRR? MWIP!

These are the last two pages of WKRR? I've appeared on. Thought I'd show the full pages as Dave Taylor's gone to all the effort and done a lovely job of sticking the pages together. You can see all the full pages of the strip shown in sequential order over here.

BACK FROM BIRMINGHAM

Got back from the Birmingham International Comic Show late on Saturday night. What a hoot!

Got to meet up with the lovely folk from SelfMadeHero again, signed some books for some incredibly nice people who were all saying incredibly nice things. And the first copy of Dorian Gray that I signed was for Mark Buckingham and his wife Irma. I also finally met Sean Phillips and got up to speed with Criminal and managed to get a copy of Seven psychos. Oh, and I got a comp copy of The Girly Comic (from marvelous Jay and Selina at Factor Fiction) which has 'War Canary' in it in full color! And I hooked up again with my dear chums Dave Taylor and Colin Fawcett with whom I ate food and drank wine (we actually got a free lunch).

In other news I'm going to be making more appearances in November. I've off to Bradford to run a workshop at the Bradford Animation Festival on Thursday the 13th of November (at 10:30 in the morning for two hours):

Storyboarding, alongside character design and scriptwriting, is one of the key stages of producing a quality animation. In this two hour workshop, Ian Culbard (animation filmmaker with experience in directing commercials, television, and short films) offers an insight into the skills involved in producing effective storyboards.

That same week I'm dashing off to London to appear on a panel. Over at Paul Gravett's site there's info on a panel I'm going to be on:

Turning Classics Into Comics
Shakespeare, Brontë, Wilde and Dickens are getting visual makeovers as comics. How does prose transfer to panels? What is lost, and found, in translation? Richard Appignanesi and Ian Edgington talk with their visualisers Mustashrik, Chie Kutsuwada and Ian Culbard, and John M Burns and Mike Collins discuss their versions of Jane Eyre and A Christmas Carol. Plus signings.
Supported by Classical Comics, SelfMadeHero & Letraset
Tickets: Each talk - £6, £5 concs, £4 members
Tickets: All three of today's talks - £15, £12 concs, £9 members
Where: Nash & Brandon Rooms, ICA
When: Sunday, 16 November, 6pm to 7.30pm

So November's going to be quite a busy and exciting month for me.

TOK

Snuck this one in late last night. Poor Bronx. I was listening to AC/DC's 'Back in Black' when I started inking. The last panel was drawn to AC/DC's Thunderstruck. I've no idea why I was listening to AC/DC at the time. I don't usually. But it certainly got me in the mood and thankfully spurred me on to finish this panel quite quickly.

THE HOUND OF THE BASKERVILLES

The Hound of the Baskervilles © 2008 SelfMadeHero

Work is well and truly underway on The Hound of the Baskervilles and momentum's picking up (we're a month in now). Here's an early idea for the cover (this won't be the final cover but you do get to see Holmes here, and an early Watson (Watson's nose is a little different now). We're shaking off the bumbling buffoonery of Nigel Bruce and the deerstalker and the Calabash of Paget and Gillette respectively.

DEATH RATTLE

Is it heck. My money's on no. What do you reckon?

BIRMINGHAM INTERNATIONAL COMICS SHOW SIGNING

I'm going to be signing copies of Dorian Gray along with Ian Edginton (I won't be signing copies of Ian Edginton - that would be weird) at 1pm on Saturday in Birmingham at the Birmingham International Comic Show.

Also, 'War Canary' a story written by Selina Lock and drawn by me, will be appearing in the latest issue of 'The Girly Comic' and will be on sale at the show, so make sure you pick up a copy while you're there.

Meanwhile ... I've done yet another 'plate' for WKRR? As the Astral team take on an Outer God, Mars Mesmer steps up to the plate ...

AICN GIVES "OVER THE HILL" A MENTION

Just a quick note. It's been all comic news of late but here's a teeny bit of animation news; remember that film I co-produced with Split-Second Films last year? Called "Over the Hill" directed by Peter Baynton? I co-produced it, mentored Pete as a director and even did a teeny weeny bit of animation on it.... well it gets a favorable mention over at AICN along with the news that its been entered for Oscar consideration for 2009. Exciting stuff.

CREEPY

A very quick brush, texture and typeface test for nothing in particular.

More news on something in particular forthcoming as Edginton and I will be producing a story for 2000AD in the very near future. My adventures in comics continue.

WASTED

Wasted- Matthew Bryan by Raymond Prado from Raymond Prado on Vimeo.

Great music video. Comics related round about the 02.30 mark.

ALAN MOORE KNOWS THE SCORE

This is just part 10. Check out the rest here.

LADIES FIRST (UPDATED: includes inks)

BEFORE: Drawn using a Col-Erase 20044 Blue pencil (which I always draw with) and inked using a Pentel brush pen.

AFTER: Scanned into photoshop, nuked with 'adjustments>threshold' then colored using numerous, glorious effect filters. Notably 'pixelate>Color Halftone' which I love using (turned all the way up to 11... the default is 8 but them dots is too small for that exaggerated four-color look).

WKRR? seems to be getting back on track after a two week long hiatus. Had to scratch out my effort as quick as Quentin because I've not got very much time to contribute to the WKRR? at the moment what with all the work I'm doing on Holmes. More on that in a bit.

THE PICTURE OF DORIAN GRAY

The Picture of Dorian Gray © 2008 SelfMadeHero

The Picture of Dorian Gray is out this October. I got my proof copy just the other day and am pleased as punch. Smells gorgeous (a good quality printing ink is like catnip to me) and looks and feels gorgeous too (SelfMadeHero pulling out all the stops as they always do with their books).

The Picture of Dorian Gray will be available from Amazon.co.uk, Amazon .com and Play.com as well as all good bookstores.

THE GAME IS AFOOT...

Right. Big news. I've started work on my next graphic novel for SelfMadeHero and their Eye Classics imprint. I'm rather excited to be working once again with Ian Edginton who's recent book "Stickleback: England's Glory" was described by SFX magazine as a "modern-day Victorian classic". Over the coming months I'll be updating this blog with sneak peaks, probably a few tutorials and the like, all pertaining to the production of this book. The name of the author who's book we are adapting is my favorite author, Sir Arthur Conan Doyle. And the title of the book is The Hound of the Baskervilles. But that's not all. We're adapting The Hound of the Baskervilles with a view to adapting all the books. We're doing the lot. The Hound of the Baskervilles is just the first in a series which if all goes according to plan will be released semiannually from 2009.

The game is afoot.

DEATH STAR OVER SAN FRANCISCO

Thanks to Col for the heads up.

IT'S NOT POLITE TO HIT A LADY

This has 'epic' and 'kick ass' stamped all over it:

37, 42, 6, 2.

More numerical homage on the WKRR? Going from The Mothman Prophecies Number 37 to The Prisoner AND Battlestar Galactica's Number 6 right the way across to the end of the universe with The Hitch hiker's Guide to the Galaxy's meaning of life the universe and everything with 42 and finally back to The Prisoner again with Number 2. Numerical nonsense aside, "Dickie Bird" is slang in this neck of the woods for "word" (so she's saying 'not a word' basically, for those not up on their cockney rhyming slang and not of the British Isles) and a reference to the fact that all the characters in this scene when they're not referring to one another as numbers are actually named after birds.

I wanted to keep the inking effects very 'in camera' as they'd say in the film business, with regard to this plate. Basically, the frantic cross hatched shading level has moved from being something I would normally have dropped over the background on an overlay channel to being part of the actual finished inks (likewise speech balloons).

THE KIRKMAN CRUSADE

A call to arms.

MWIP

I need to do more black and white work.

Following Nigel Parkinson's wonderful curve ball on the WKRR? I stumbled upon this idea just as I was waking up this morning with an somewhat unexpected and quite ferocious hangover. 'Wake up, Number 37' is a pop culture reference type thing (pertaining to "The Mothman Prophecies" wherein a character called "Indrid Cold" (aka The Mothman) who seemingly exists out of time, says it as a warning to one of the characters in the film. It must have got lodged in my brain because as I was waking up this morning it sort of popped into my head like a booming voice. Like the echo of a dream that somehow overlaps into the first few seconds of the waking day.

The number 37 is of course loaded with meaning as is every number and everything if you chose to follow the white rabbit down the hole. From the number of plays written by Shakespeare to a bad year for Antioch. From the first irregular prime number to the number of the beast (37 is 666 divided by its digits added together [37=666/(6+6+6)] ... and technically speaking, its the 'number of a man' associated with the beast, but that would mess up the lyrics to "The Number of the Beast" by Iron Maiden). 37 means everything and nothing at all.

Will be fun to see who or what 37 is, presuming Nigel picks up on that as he's Huzzah'd the next turn.

Watched 'Maestro' for the second time last night. A new 'celebrities making complete asses of themselves' tv show from the BBC but unlike previous 'celebrities making complete asses of themselves' tv shows, I rather enjoyed this one as it was about one of my favorite subjects. Classical Music. And it proved that conducting an orchestra is not unlike driving a ruddy great big tank laden with very large guns. Wonderful stuff.

MAY THE DANCE OFF BE WITH YOU...

I love the Darth Vader Thriller dance. You'd have thought they would have let the Wookie win, right?

Which reminds me...

LAST THREE PLATES FROM WKRR? AND AN EXQUISITE CORPSE!

Here's the last three plates I did for WKRR? which oddly, when put together, even though they're divided by other contributors plates in the actual story, read straight through. Out of context, the three plates still wouldn't make much sense, but I do wonder if I'd tried this from the start if I'd been able to pull it off, having one through line in the story that could be read entirely on its own. Inspired by Dave Taylor pasting his plates together over on his blog.

And whilst on the subject of being inspired ... here's something pretty awesome:

'This is a game. It is inspired by the project "Round Robin" in where a series of professional comic artists join to create an unexpected history'

The work over on Cadaver Exquisito really is quite exquisite, so please do go check it out. I was able quite easily to work my way through the story with a translator widget (that's the glory of comics, not a lot of text).

Their contributors include Bachan, Edgar Clement (both of whom have contributed thus far), Humberto Ramos, José Quintero, Patricio Betteo, Lucas Marangon, Francisco Herrera and Tony Sandoval.