Finished The Hound of the Baskervilles today. Finally done. The panel is apt because of what Sherlock is saying (you'll have to read the book to find out). The book's out in May - you can pre-order it in the sidebar on your left. Tomorrow I start work on 'A Study in Scarlet', the first four pages of which will be appearing in the back of Baskervilles, and I'll keep updating this blog with glimpses from that.
It's been a hectic week so I've not been able to post. I had a solid week slated for coloring which meant blocking out the light to my room and working through night and through day. I do not exaggerate when I say my eyes now look like red onions. Alright, I am exaggerating and they don't look like red onions, but a day or two ago they did look like Christopher Lee's eyes in Dracula. Is one eye being more bloodshot than the other a fair indicator of which eye works harder than the other? I have my suspicions. Thankfully that boat load of work is done and a good solid chunk of Baskervilles is in the bag.
IN the year 1878 I took my degree of Doctor of Medicine of the University of London, and proceeded to Netley to go through the course prescribed for surgeons in the army. Having completed my studies there, I was duly attached to the Fifth Northumberland Fusiliers as Assistant Surgeon. The regiment was stationed in India at the time, and before I could join it, the second Afghan war had broken out. On landing at Bombay, I learned that my corps had advanced through the passes, and was already deep in the enemy's country. I followed, however, with many other officers who were in the same situation as myself, and succeeded in reaching Candahar in safety, where I found my regiment, and at once entered upon my new duties.
The campaign brought honours and promotion to many, but for me it had nothing but misfortune and disaster. I was removed from my brigade and attached to the Berkshires, with whom I served at the fatal battle of Maiwand. There I was struck on the shoulder by a Jezail bullet, which shattered the bone and grazed the subclavian artery. I should have fallen into the hands of the murderous Ghazis had it not been for the devotion and courage shown by Murray, my orderly, who threw me across a pack-horse, and succeeded in bringing me safely to the British lines.
- (Being a reprint from the reminiscences of JOHN H. WATSON, M.D., late of the Army Medical Department), A Study in Scarlet.
'No small part of our author's genius was his ability to tell a story so persuasively that it sounded like a narration of fact.'And it's that no small part of his genius that brings me to Dr. Watson and the Battle of Maiwand. Whilst many may know of Watson through Nigel Bruce's portrayal of a bumbling baffoon, Sir Arthur Conan Doyle portrayed Holmes' chronicler, Dr. John H. Watson as a capable and brave man - a 'whetstone' for Holmes' mind.
"These men charged from the shelter of a garden and died with their faces to the enemy, fighting to the death. So fierce was their charge, and so brave their actions, no Afghan dared to approach to cut them down. So, standing in the open, back to back, firing steadily, every shot counting, surrounded by thousands, these British soldiers died. It was not until the last man was shot down that the Afghans dared to advance on them. The behaviour of those last eleven was the wonder of all who saw it".Now, given that Watson survived he clearly wouldn't have been one of the final eleven (if we marry fact with fiction for a moment as Doyle suggests) but another matter cements his courage and devotion to my mind.
'I made no remark, however, but sat nursing my wounded leg. I had a Jezail bullet through it some time before, and, though it did not prevent me from walking, it ached wearily at every change of the weather.'Which was it, the shoulder or the leg? That's something that's sometimes been a matter of debate. Well, if our Watson served at the battle of Maiwand and if the description given by the Afghanistan officer is anything to go by then the answer's quite simple as I see it. It was both. Not only that, but Watson was already significantly wounded before he took the bullet in the shoulder which retired him from the battlefield for good. Had he, even wounded, tried desperately to save lives in the chaos that was the battlefield of the Maiwand? Watson was a courageous and devoted man and yet he himself is quick to note the devotion and courage of another! In factual context, Watson was truly an exceptional fellow.
"Films and graphic novels have a lot in common – indeed I could have used much of this as my storyboards. It's terrific to see Wilde's work in this form and it's a great way to reach a wider audience. The visuals are bold and striking and the text very skillfully abridged."
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"The Prince and Princess of Wales have asked me -"They specifically asked. They said, "Henrietta dearest, do be a chum and write to that dear fellow and thank him for us would you. It was awfully kind of him to write to us and to spare a moments thought for us given how frightfully busy he is with all this and all that." Or at least that's likely the way I would have seen it aged nine.
"Their Royal Highnesses were most touched by the good wishes you have expressed"What the heck did I write that gave merit to a letter from Buckingham blooming Palace?
Storyboarding, alongside character design and scriptwriting, is one of the key stages of producing a quality animation. In this two hour workshop, Ian Culbard (animation filmmaker with experience in directing commercials, television, and short films) offers an insight into the skills involved in producing effective storyboards.That same week I'm dashing off to London to appear on a panel. Over at Paul Gravett's site there's info on a panel I'm going to be on:
Turning Classics Into ComicsSo November's going to be quite a busy and exciting month for me.
Shakespeare, Brontë, Wilde and Dickens are getting visual makeovers as comics. How does prose transfer to panels? What is lost, and found, in translation? Richard Appignanesi and Ian Edgington talk with their visualisers Mustashrik, Chie Kutsuwada and Ian Culbard, and John M Burns and Mike Collins discuss their versions of Jane Eyre and A Christmas Carol. Plus signings.
Supported by Classical Comics, SelfMadeHero & Letraset
Tickets: Each talk - £6, £5 concs, £4 members
Tickets: All three of today's talks - £15, £12 concs, £9 members
Where: Nash & Brandon Rooms, ICA
When: Sunday, 16 November, 6pm to 7.30pm
