Saturday, April 14, 2007

FORTUNE



This weeks Illustration Friday topic is "Fortune".

The word Fortune conjures up just one strong image in my head and that's those slot machines that tell your fortune or make you Big and head designer for a toy company. I wanted my Fortune teller to have deep hypnotic eyes, which again instantly conjured up another strong image in my head, Rasputin (or more specifically Christopher Lee's Rasputin in the 1966 Hammer Movie). I also figured I'd use the casing for the Fortune Teller slot machine as a way of framing the image.

Thursday, April 12, 2007

RADAR MEN FROM THE MOON


King of the Rocket Men was a Republic Movie serial that I used to watch when I was kid. All I really remember of it was that there were gangsters, an evil genius called Doctor Vulcan and a hero with an atomic powered rocket suit. I just loved watching King duke it out with trilby and pinstriped hoods. And every time King flew up a building they would kind of warp the perspective so the building looked really tall. The climax of the series saw Dr Vulcan using "The Decimator" to destroy Manhatten (the destruction of which used footage from the 1933 movie "Deluge"). What does a Decimator do? It decimates stuff!

So, the mad bad Doctor Vulcan gets to wreak havoc but ends up getting his backside handed to him on a plate by Jeff King (the titular King of the Rocket Men). What was amazing about King of the Rocket Men was that it really did look (for the time...and for young impressionable minds) like he could fly. I wanted that rocket suit so bad!

By the time Radar Men from the Moon (which you can buy on DVD) came around, Jeff King was gone and replaced by Commando Cody (Interesting to note, in Star Wars Ep 3: Revenge of the Sith, one of the clone trooper commanders is called Commander Cody). The exposition heavy dialogue is glorious. The plot is ludicrously fantastic, and while some of the acting may be wooden, it has a wonderful veneer.

Wednesday, April 11, 2007

MONARCHS ON PULP SECRET



Fist-A-Cuffs got a mention at PULP SECRET... and the Monarchs got a spot. Saddly, Monarchs didn't get through to the next round.

Damn their eyes!!!!

Tuesday, April 10, 2007

TWO & "LIFE ON MARS" - THE END



My favorite TV show, Life on Mars, has finished. Two seasons totaling just 16 episodes of utter perfection. The makers of Lost ought to take note - leave while the music is still playing.



Monday, April 09, 2007

HELLBOY


(click to enlarge)

Here's my version of HELLBOY.

Duncan Fegredo is the artist on the next Hellboy miniseries from Dark Horse Comics (which I'm really looking forward to ... follow the link and you'll find a preview at the Dark Horse site) and is going to be doing a signing at the Nottingham Travelling Man store on the 28th of april from 1.00pm (he'll also be signing at the Bristol Travelling Man store 11th of may from 4.30 pm).

Friday, April 06, 2007

GREEN



This weeks Illustration Friday topic is "Green".

Don't forget to vote for The Maliciously Merciless Monarchs of Misery over at Sam Hiti's Fist-A-Cuffs while there's still time. They need your love!

Wednesday, April 04, 2007

THE MALICIOUSLY MERCILESS MONARCHS OF MISERY NEED YOUR HELP!



The first round of Sam Hiti's Fist-A-Cuffs tag team challenge is up!

Vote for The Maliciously Merciless Monarchs of Misery. (L-R) The Butcher Wieners (drawn by Woodrow Phoenix) and The Angry Ball (drawn by me) are the greatest. They only want to be loved. You know it makes sense.

Saturday, March 31, 2007

DOCTOR WOO-WHO!!!


Proper Saturday evening telly has finally been restored. The new series (third series* with a fourth already commissioned) of Doctor Who began this evening on BBC1 here in the UK and very good it was too. A lightening storm sends a hospital to the moon (looks mad enough on paper doesn't it? Wait till you see it on telly). "We've got air," Martha Jones (Freema Agyeman), the doc's new companion observes, "How does that work?" "Just be glad it does," says the Doctor. And he's right. Everything about the new Doctor Who works. Far be it from me to try to figure out why, it just does and I'm glad.

*for all Stargate fans, it's season twenty-nine ;).

Friday, March 30, 2007

SNAP



This weeks Illustration Friday topic is "Snap".

Thursday, March 29, 2007

IF YOU GO DOWN TO THE WOOD TODAY...





Here's two stills from my own personal ongoing project, Grimmwood, for which there's a production blog if you're a patient sort of person as it doesn't get updated very often. I'll be posting these again over at the other blog with more details in a short while. Now blogger has introduced a labeling system, and given the infrequent posts over at the Grimmwood blog, I am considering migrating the content of that blog over to here ... still undecided.

It's been a busy week again (but that's a good thing, because it means that as soon as the work is done I can go back to comic books and Grimmwood). Also, production of the Peter Baynton project that I'm co-producing, which I've mentioned before, is nearing completion (and the film looks excellent).

Tuesday, March 27, 2007

I SPY.... WITH MY LITTLE EYE



Another illustration based on this week's Illustration Friday topic "I Spy". The artwork here's a lot like my original pitch to Dark Horse Comics for Wild Talents, back in 2003 (which reminds me, I must dig up my original pitch (it was a Victorian zombie yarn). This particular image sprang to mind after watching "The Thirty-Nine Steps" last night (the Robert Powell version), which is a cracking spy adventure story based on the novel by John Buchan (who hailed from roughly the same neck of the woods as the Culbard Clan). There may be a Wild Talents Redux appearing at Strange Planet sometime soon.

Whilst drawing this I learned about the reasonably interesting origins of the term "I Spy". According to Phrases.org:

The game I Spy originated in the early 20th century. It remains a common pastime played by children - albeit often initiated by adults to occupy bored children on car journeys and the like. One person secretly choose an object that they can 'spy with their little eye' and the others take turns to guess the name of the object.

The game isn't especially old and the first record of it that I can find is in The Winnipeg Free Press, December 1937:

"Other games ... are: What is My Thought Like, I Spy With My Little Eye (children love this) and Bird, Beast, Flower or Fish."

The game spawned a highly successful series of I-SPY spotter's guide books made for British children. These were very popular in the 1950s and 1960s.

The guessing game was preceded by another children's game called I Spy (or Hy Spy). This was a variant of what is now called Hide and Seek and was known in the UK from the 18th century. John Brand refers to it in his
History and antiquities of the town and county of Newcastle-upon-Tyne, 1789:

"'I spye', is the usual exclamation at a childish game called 'Hie, spy, hie'."

Monday, March 26, 2007

NO REST FOR THE WICKED!

Live action!

Had to attend a live action shoot for a couple of commercials I'm directing at the moment (the commercials are animated with a couple of live action elements) and that involved getting up at 5am this morning (after realizing at 2am that the clocks changed ... so I had even less sleep than I'd anticipated) and traveling down to London on the early morning train.

The woman in the seat next to me fell asleep on top of me. Not just resting her head on my shoulder (like you get with people commuting sometimes) but properly laying on my whole left side because the arm rest between us had been left up between the seats (I'd fallen asleep myself, against the window). She was very embarrassed. I didn't mention that she had been snoring very loudly (which was what woke me up), I thought she was embarrassed enough.

All the live action for these commercials was shot against green screen, which basically means intensely hot studio lights. So today was a day of feeling intensely hot and sleep deprived. And sleep deprived meant drinking lots of coffee (which I don't normally drink) and feeling really anxious as a result. But I actually managed to enjoy today, even though I'm really wiped right now and have only logged on to write about it because I'm in one of those 'so exhausted I can't sleep' sort of moods.

More manic craziness tomorrow and then on Wednesday I may actually finally catch up on the sleep good and proper (I think I owe myself a months worth... wouldn't that be nice?)

Onward!

Saturday, March 24, 2007

I SPY...



This weeks illustration Friday topic is "I Spy..."

I've just finished a two hour email ping-pong session with Woodrow Phoenix. We've been drawing our Fist-a-cuffs tag team, so hopefully I'll have links to that in the next few days. Be sure to vote.

UPDATE: I have produced a second illustration with regard to this topic.

Thursday, March 22, 2007

TWO-FISTED TALES!



Well, it's Thursday now and I've had three monstrously long days already. Had another trip down to London yesterday for the actual production meeting for the commercials I'm working on. Didn't get back till 10pm last night.

Slightly quieter today. Looking forward to the weekend.

The above two images are a color exercise I did a while ago, exploring antique palettes. I'm a big fan of the pulps, which is the only reason for the subject matter.

Monday, March 19, 2007

TOTAL



This weeks Illustration Friday topic is "Total".

Sunday, March 18, 2007

POOPED!

Last week was the week that was. Heck of a week. And next week, more of the same! Busy, busy, busy. Keeps me out of trouble. No Illustration Friday from me yet. Been too mad busy for that.

My wife woke to my son presenting her with flowers, a card and a present this morning (Mother's Day). We had a great day but we had to cancel our lunch because where we went was overcrowded (they weren't taking bookings and we even showed early but the wait for the food was way over an hour and it seemed like everybody and their mother had had the same idea as us at exactly the same time) so we headed home again, which, as it turned out, was no bad thing.

I've labeled my Dogface Doodles under Sketchbook and I'll be adding more to that over the coming weeks, months, who knows, maybe even years.

All I gotta do now is sleep. Monday is gonna be crazy.

Thursday, March 15, 2007

LONDON CALLING

I traveled down to Picasso Pictures in London today for an informal preproduction meeting (a sort of pre-preproduction meeting) for a couple of commercials I'm going to be working on over the coming weeks. An enjoyable visit as always but there's something about going from the quiet solitude of my working day to the throng of the multitude that I find quite exhausting. I guess it must be the sheer volume of people I pass as I travel on foot from St. Pancras to Soho via The Brunswick.

On my way to my meeting I popped into Gosh! Comics and ran into Will Kane (a fellow blogger), which was very nice indeed as I haven't seen him in quite a long time. Gosh! is an excellent comic shop (along with Traveling Man in Nottingham it is one of my favorites). Gosh! also boasts a rather fine collection of Golden Books.

Wednesday, March 14, 2007

MORE DOGFACE DOODLES FROM DOGTOWN



More Dogface Doodles from Dogtown approved by Mrs. C.

Okay, so I'm thinking, she likes my drawings of people with hairy faces... wait a second, I've got a beard!! The penny has finally dropped!

Had a meeting yesterday afternoon concerning a film I am producing, a short animated film directed by the very talented Peter Baynton (who I'm mentoring) which is presently undergoing title changes. It is being co-produced by Margaret Milner Schmück and funded by EM Media's DV shorts scheme. It's was a very interesting meeting, not just with regard to the production, which is soon to come to an end as the film reaches completion, but also with regard to film in the East Midlands. I'm hoping to put together a pitch for funding later on in the year as EM Media really have been a great bunch of people to work with.

Tuesday, March 13, 2007

CAPTAIN AMERICA



Captain America is dead. Long live Captain America. Currently there's a MEME going around and this is my contribution to it.

MORE "DEATH OF CAPTAIN AMERICA" COVERAGE

From Variant Edition:

also CBS coverage:

Monday, March 12, 2007

DOGFACE DOODLE


It's pretty rare that my wife sees something I've drawn and says she likes it so I thought I'd scan in and post this picture that she spotted on my desk, singled out and said she liked. It's not a drawing I did in relation to anything, just a doodle I did while watching TV.

Friday, March 09, 2007

WIRED



This weeks Illustration Friday topic is "Wired".

On a related note: "In the future there will be robots," as they say in GTA. Right now an ethical code which prevents humans from abusing robots and vice versa is being drawn up in South Korea and is due to be released later this year. It's being drawn up by a team which includes a handful of futurists and a science fiction writer. Already it's been forecast that by 2020 every household in South Korea will have a robot and by 2018 robots will routinely carrying out surgery!

CAPTAIN AMERICA - R. I. P.



Captain America is dead! Here's the Colbert report on Cap's death.

Thursday, March 08, 2007

COULD HAVE WOULD HAVE SHOULD HAVE


There was a Spiderman 3 clip released just the other day all over the net with a gorgeously well choreographed fight scene in it. There's a few evil dead moments where the actors appear to get a battering, notably when Toby Maguire gets dragged backwards along the face of a building. A lot of buzz about too many villains appearing in it, but heck, the Spiderman of the comics lives in a city FULL of villains, so I see no problem in the movie showcasing three bad guys. It should keep Parker on his toes. Quite looking forward to this outing but Spidey 3 isn't all I'm looking forward to from Raimi. Apparently he's going to be bringing The Shadow to the screen (it's March now, so this is old news, but hey, it's still exciting news).

Above is the trailer to the 1994 Alec Baldwin vehicle The Shadow (with John Lone in an excellent turn as Shiwan Khan). The movie was unfortunately a flop, panned by critics and fans alike, but I really love this film. Whilst it may not embody all of what the Shadow as a character has to offer, I loved it as a straight talking pulp adventure.

Now, originally, Raimi was going after the rights to The Shadow (in much the same way I mentioned a couple of posts back that Lucas was going after Flash Gordon) but in failing to get the rights to The Shadow (and Batman), decided to come up with his own (much like Lucas came up with Star Wars) and came up with Darkman (starring Liam Neeson). Looking at these clips, and compared to Darkman, I wonder how close the Baldwin vehicle actually was in tone to what we would have got from Raimi at the time (not what we're going to get from Raimi given as he's refined his craft over the years since). Darkman had a favorable critical reaction (two thumbs up from Siskel and Ebert) and spawned 2 sequels.

What follows is a scene between Baldwin (playing Lamont Cranston, aka. The Shadow) and John Lone (playing Shiwan Khan). What we also see is a little bit of Ray Harryhausenesque animation in the form of The Living Knife. It started out as a prop on another pulp movie, The Golden Child*.

*The Golden Child was originally intended as a serious adventure vehicle for Mel Gibson, but Gibson turned the role down, which is a real shame because once Murphy came on board it became a comedy. I've taken this plot summary from IMDB and basically taken the words Eddie and Murphy out of it... so now imagine the film not as a comedy but as it was originally intended:
**** plays a detective with a speciality of finding lost children. He is told he is the 'Chosen one' who will find and protect the Golden Child, a Bhuddist mystic who was kidnapped by an evil sorcerer. **** disbelieves the mysticism but finds more and more evidence of demon worship as he investigates.
Also, John Carpenter was originally set to direct with John Barry set to score. Can you imagine it!?!?! Now THAT is the movie I would rather have seen.

Wednesday, March 07, 2007

BIG ROBOTS & JUDGE CULBARD!

I've been Dave Taylor-ed!!

Okay, a while back I mentioned in a post titled I AM THE LAW! that I'd be appearing in the Megazine again, this time as a Judge. Well, here I am (the physical resemblance is uncanny, right down to my incredibly muscular physique... yeah right, actually, the badger's-backside-of-a-beard is mine, the rest ... I'm working on it).

Megazine #257 sees the start of a story called Big Robots, straight out of Dave's noggin, written by Alan grant and drawn by Dave.

Dave's next assignment is for Wildstorm comics. For more info on Dave Taylor go check out his blog.

Tuesday, March 06, 2007

FLASH GORDON: THE GREATEST ADVENTURE OF ALL TIME

As I understand it, this is pretty rare. I distinctly remember seeing this on television when I was a kid. I love the palette, all the rich orange tones set against the green and the color of the title card. Beautiful. This was the original opening for a made-for-television feature (its production prompted by the success of Star Wars) which was later turned into a Saturday morning series.



Apparently, George Lucas tried to nab the movie rights for Flash Gordon, but upon finding that Dino De Laurentiis had secured them, decided to make Star Wars instead. You can see quite a number of influences found in the above episode of the serial starring Larry (Buster) Crabbe (note the text crawl at the beginning of the episode).

I love this serial (this and King of The Rocket Men ... I used to watch both these old serials when I was a kid). I've posted this episode here because of a really strange scene 15:51 mins into the film where a tribe of rock-headed people (called Rock Men, funnily enough) speak backwards. It always freaks me out.

Monday, March 05, 2007

STAR WARS DRINK DRIVING PSA


A rare public service announcement from 1979.

We're speeding our way closer to May 25th (the film's original release date) and the 30th anniversary of Star Wars, so, no doubt there will be more Star Wars shenanigans over the coming months. Also, I found out today that Star Wars fans were called "Warsies", something in all my 30 years of loving a story set a long time ago in a galaxy far, far away, I had never heard of.

Spent my afternoon on Sunday painting pictures with my wife and son (it was raining all afternoon). VERY messy and a lot of fun. We got paint everywhere, but it was a hoot so it was worth it. My wife picked up a few rolls of lining paper from IKEA which is great for rolling out across kitchen floors and drawing all over and painting on.

Friday, March 02, 2007

HIDE



This week's topic for Illustration Friday is "Hide".

Thursday, March 01, 2007

THE MIGHTY HEROES


The Mighty Heroes was a Terrytoons Saturday morning superhero spoof from 1966. The show was created by Ralph Bakshi and began life as an impromptu pitch during a meeting with CBS (the parent corporation to Terrytoons), after they'd rejected a slew of planned pitches. There were 21 episodes in all after which (in an episode of Mighty Mouse: The New Adventures) the Mighty Heroes hung up their capes and cowls to become accountants in a firm called "Man, Man, Man, Man & Man".

Wednesday, February 28, 2007

AIN'T HE UNGLAMOROUS?


"Keep out of this, Betty, it's man talk". Ouch.

I really like this kind of stuff. The most recent homages to this type of animation can be found as extras on The Incredibles DVD (wherein we get a tv show with limited animation showing Frozone and Mr Incredible and their sidekick who happens to be a rabbit striking lots of dynamic poses), and in the video game, Freedom Force, which has Kirbyesque origin stories animated in much the same manner.

Tuesday, February 27, 2007

VARIANT EDITION

Okay, I've not posted much comic related news of late. It's all been animation animation animation (guess which one pays the mortgage). So, here's a little something from "Variant Edition"; a weekly show. I like how it's presented just like a CNN Newscast. Also, there's an interview with artist Khary Randolph.

Monday, February 26, 2007

RAY HARRYHAUSEN'S MONSTERAMA

Ray Harryhausen. What's not to like. The Skeleton fight from Jason and the Argonauts is great, but what I really love is the t-rex lasso scene from Valley of the Gwangi (which you see on this excellent compilation roughly 03:04 mins into the film). And I really love Mighty Joe Young in terms of 'big ape' movies.

Whilst on the subject of monsters (having had a monster of a Monday), check out this great little film from Calarts student, Jonathan Kim.


Friday, February 23, 2007

COMMUNICATION



Okay, so this week on Illustration Friday the word is Communication.

Thursday, February 22, 2007

EIGHTIES ANIMATION


1983. He-Man and Dungeons & Dragons first aired. Uni, the bothersome unicorn who would week after week emotionally blackmail Bobby the Barbarian into staying in the world of Dungeons & Dragons (or at least it seemed that way), was voiced by Frank Welker who also voiced Tiamat the multi-headed dragon and Megatron (as well as many others) in Transformers in 1984. But the best was yet to come. 1985 brought us Thundercats which I'm pleased to see finally has a region 2 release on DVD. Above are the titles from Ulysses 31 (1981) which was a Japanese-French anime series I used to watch as a kid. Another great example of eighties animation. Mysterious Cities of Gold was another great Japanese-French show (the Japanese studio (Studio Pierrot) now makes Naruto).

I was going to put the opening titles to Thundercats up, but the theme song for Ulysses 31 simply won hands down. Plus, it's good to have as a comparison to this next video:


The above animation is a wonderful homage to shows from the 80's. Made by Ron Doucet and Mike White of Collideascope Digital Productions. It first featured in an article over at Cold Hard Flash last year, where you can read more about it and watch two documentaries about the making of it. It was made entirely in Flash.

Wednesday, February 21, 2007

STICK FIGURE THEATER

Liquid Television was an animation showcase from 1991 to 1994 (or there abouts). It was the "Saturday Night Live" of Animation and launched shows like Aeon Flux and Beavis and Butt-head. This particular segment from the show really stood out for me. Stick Figure Theater was beautifully simple and well executed. Enjoy.

Tuesday, February 20, 2007

GATES VS. JOBS

Personally, I used to own a ZX Spectrum while all my friends had Commodore 64's. Now, I have a Mac and all my friends have PC's. What's with that? This animation (which, as far as I know is animated in Flash) is from admirable genius Josh Faure-Brac and is an episode of SuperNews! which airs on Current TV. Excellent it is too.

Monday, February 19, 2007

GRAVITY


Here's my entry for Illustration Friday in response to this weeks topic: "Gravity".

Friday, February 16, 2007

DUCKMAN!

It's Friday! Here's some Duckman. Excellent series which ran from 1994 to 1997. Created by Everett Peck.

Thursday, February 15, 2007

BATMAN SIGHTED!

Batman has apparently been sighted in Arizona.


SCOTTSDALE, Ariz. -- To an Arizona middle school, Batman! Three schools in the north Phoenix suburb of Cave Creek were on lockdown for about 45 minutes Wednesday morning after a student at Desert Arroyo Middle School reported seeing a person dressed as Batman run across campus, jump a fence and disappear into the desert, Scottsdale police Sgt. Mark Clark said.

The student described the person as 6 feet 3 inches tall and possibly male.
"We're assuming it was male, although they did have a mask on," Clark said. Officers combed the desert around the middle school. A nearby elementary school and high school also were on lockdown as officers sought the caped crusader.
The result - no Batman.
"It's just one of those interesting little stories that we looked into but we couldn't find anyone," Clark said.
Nedda Shafir, a spokeswoman for the Cave Creek Unified School District, said putting all the schools on lockdown was a precautionary measure. "We didn't want to take any chances," Shafir said. "We just don't want to put anyone at risk."

And too right too. Could have been the Joker he was chasing after.

Wednesday, February 14, 2007

KATEDRA (THE CATHEDRAL), SZTUKA SPADANIA (FALLEN ART) & UNDO

Katedra (The Cathedral) is an Oscar-nominated film by Tomasz Baginski. The composition here is epic in proportions. Some utterly beautiful scenes, notably where the cathedral takes root as it were. Next time I'm in Warsaw I think I'll see if I can visit Platige. So much has changed in Poland since I was last there.

Fallen Art is another film by Tomasz Baginski. Terrific film, great design and quite macabre humor.

Undo, I think, is directed by Marcin Wasko who works full time at Platige in Warsaw. Quite a simple idea deftly played. I love the design here, the composition and the use of sound.

Tuesday, February 13, 2007

SIGUR RÓS, PROKOFIEV AND LONDON AGAIN!

Had a meeting in London today concerning a commercial I'm going to be working on over the next few weeks (more about that when it goes on air). Had quite a wait for my train home so I went shopping and bought some Sigur Rós (Ágætis byrjun (An Alright Start), and (); I would love to do a music video for any one of their songs) and Prokofiev's Romeo and Juliet (an apt time for it I suppose). The album () uses Vonlenska (Hopelandic), which is a constructed language created by the lead singer, Jón Þór Birgisson. It's not an actual language, it's simply gibberish that emphasizes the vocal's place as another instrument in the composition.

I'm half Polish and bilingual... though I don't speak it that much anymore, I still dream and think in Polish from time to time. I was never formally educated in Poland so I don't read or write it (I can read a little, but that's mostly down to the fact that the language is relatively phonetic in that it's written how you would speak it, unlike English). When I was a child, in England I was recognized as being Polish (once people found out I was half Polish) and in Poland I was recognized as being English (once people found out I was half English). Which made me feel as though my sense of cultural identity was alien to both. In the early nineties I was a builder working in the south of France with French builders who didn't speak a word of English (and I didn't speak a word of French). We would have conversations non the less, finding consistent familiarities in both our worlds to such a degree that by the end of my stay there we were able to understand one another without having to speak one another's language. I was 'foreign' there. Not English, nor Polish. It was comforting then to be referred to not as English nor Polish. I was neither. I was just me. So, I guess the songs of Sigur Rós, in their Vonlenska babel speak volumes to me for that reason. Their songs remind me of the conversations I used to have in France. Of waking up atop a building site overlooking the Ardèche valley and going for a swim in the river after work each day.

When I was at University, this is after being a builder in France (I was also a candlestick maker once! though never a butcher nor baker, tinker nor tailor, soldier nor spy), I made a few films on my animation course. For the most part my animation was silent (as in no dialog). When asked if I would make a film with dialog I opted to make it in French. The film was called "Mon Frère Raoul la Tortue" (My Brother Raoul the Turtle), a story about fratricide and understanding or misunderstanding. I think my time in France and my experiences of communicating without speaking someone's language most certainly prompted this. Grimmwood, it should come as no surprise, has no dialog in it, though the suggested language is German.

Also, whilst in London, I visited GOSH! which now stocks a wonderful collection of Golden books.

The return train journey afforded me the time to work on some roughs for a comic strip I'm drawing which has been written by Selina Lock. I am quite excited as the story is great and it'll allow me to try out a few things in color that I've been meaning to try out for a while now.

Monday, February 12, 2007

MAD MONSTER PARTY!

I first watched Mad Monster Party when I was a wee lad. I loved it then and still love it now. If you haven't seen it then I would urge you get hold of a copy and watch it. Glorious stop motion (or "Animagic") from Rankin Bass. Mad Magazine and EC Comics artist Jack Davis designed the characters. Also, a sequel was made (the year I was born... again, it'd freak me out if it was the same month, same day etc), which was done in 2D and was called Mad, Mad, Mad Monster Party, though I've never seen it.



Whilst on the subject of Mad Monsters (the mention of sequels has reminded me), I have a children's book recommendation also, especially if you're a fan of things Frankensteinian and Universal Horror. A book called "Frankenstein's Aunt" by Allan Rune Pattersson, in which Hannah Frankenstein (a wonderful character) visits her nephew and decides to put things in order at Castle Frankenstein. A lot of fun. The reason I say sequels is because a few years ago I managed to track a copy of the book down (it was a favorite from my childhood) and discovered it too had a sequel called ... wait for it ... "Frankenstein's Aunt Returns" (which I have since acquired and read) which serves as a direct sequel to the first book, in which Doctor Pretorius and Doctor Frankenstein create a boy named Franklin. Fun, but the first outing was pleasantly pocked by nostalgia for me. A fun return all the same. There was also a TV series (seven episodes in all) made in Sweden in 1987 and starring Viveca Lindfors as Hannah (though I've not seen that either... apparently the series was recut into a movie called Freckled Max and the Spooks).

Saturday, February 10, 2007

MUPPETS!


There's news from Muppet Central that the Muppets may well be coming back. A ten minute presentation pilot has been filmed and this could lead to a new series. What's being proposed is a mock documentary (ala "The Office") showing the Muppets trying to create a new show. It's a format I think would work really well.


The above clip really brings back memories. My older sister and I used to sit in the back of the car when we were kids singing Mahna Mahna. I imagine it drove my mother up the wall.

One of the very first jobs I had in animation involved working at the Henson studios in London one weekend. I was working at Passion Pictures at the time and we were told we would be working the weekend (to get a job finished). We were all a bit glum at the prospect, but the minute the production staff mentioned we'd be working at the Henson Creature Workshop in Camden, suddenly we were all incredibly enthusiastic. It was an amazing building stuffed with Muppets. The reception had display cases with Skeksis in them, one of the meeting rooms had Statler and Waldorf sat either end of a couch (so you'd sit between them). The workshops were full of animatronic creatures.

A year or so later I went there for a meeting along with Curtis Jobling to develop or pitch tv show ideas (I can't quite remember which). I remember sitting in a development meeting at one point with Rygel from Farscape sat at the head of the table. There were Muppets everywhere. I also pinched one of their coffee mugs which had Jim Henson Company written on it with a picture of Kermit, which they were perfectly happy for me to have, but, I think I would have been pushing my luck if I'd picked up Statler or Waldorf and stuffed them in my bag too.

Friday, February 09, 2007

WALTER LANTZ EXPLAINS EXACTLY WHAT AN ANIMATION DIRECTOR DOES



"The director has a big job and a very important one. He has to be an idea man, a gag man, an artist, have a knowledge of music and many other things."
-Walter Lantz

You tell 'em, Walter. I want that on a t-shirt, or on a coffee mug.

The Walter Lantz studio (responsible for cartoons like Woody Woodpecker and Chilly Willy) closed the year I was born. I'd be triple freaked if I found out it closed the very month I was born, the very day, the very hour, the very minute, the very second. That'd be weird.

Boy, how things have changed (for me anyway). No timing sheets (there are various ways I work my timings out, usually with an animatic), not even animation paper. Nearly nine/ten years ago now, when I used to work at Passion Pictures, I used to fill out timing sheets. The last time I worked on animation paper at a desk was about four or five years ago.

In other news... I'm still ill, so no trombone for me today. I have that pounding inner ear thing going on now, where it feels like someone switched air cabin pressure on in my head, or dropped a few depth charges.

I once saw an episode of Batman The Animated Series in which Bats defeats Mr. Freeze with a flask of steaming hot chicken soup. So as a result, regardless of whether it's true or not; that the best thing for a cold is chicken soup (or so Batman tells me), I eat a lot of chicken soup when I've got a cold. I do as Batman says because I want that illness gone. No more nasty Mr. Freeze.

Thursday, February 08, 2007

We walk short-stepped but high of heart...

... Through honey-dew and flowers.

It's been a tremendously long time since I last posted on this plog, leaving promise of a trailer that was soon to arrive. Well, a tremendously long time in the real world, in production however, where time is relative to that of time in the kingdoms of faerie, it has been the blink of an eye. Fear not! I am not writing now to tell you that production has ceased. Far from it. I have been busy. I return now, now that things are slowly falling into place, though future posts may still be few and far between, production soldiers on.

I was almost good to go, back in September, when I decided to get some paid work in so as to tide me over whilst working on Grimmwood, but, I got so much work in I found myself with little-to-no time for the project. So, with what time I did have for the project I found myself going back to the drawing board (concerning backgrounds) and re-addressed where I was with that. And boy am I ever glad I did. I went back to address the character of the Grimmwood itself. Because the Grimmwood is not just a background. It's a living, breathing, environment, it's a character as much as Thomas Hardy's Egdon Heath was in Return of the Native. The Grimmwood is not just some outcrop of trees or knot of brambles. This is a place rich with history. And I felt that as I had it back then, last September, it just didn't have enough character. And so I immersed myself in early Victorian fairy art. Artists like Edward Dulac, John Anster Fitzgerald, Richard Dadd, Richard Doyle, Edward Robert Hughes, and John Everett Millais, artists who gave voice to the hedgerows and briar thorns and breath life into the deep dark woods. So the Grimmwood itself is somewhat different now to how it was before. It's alive.

Currently putting the work together so I can show a small teaser trailer of sorts, and then I'll be posting up the trailer along with artwork and various notes on how certain shots were achieved etc. When? Quite soon.

In the interim, day to day (or there abouts) work stuff is discussed over at the parent blog to this one, Strange Planet Stories which has details of work I've just completed among other things.

Wednesday, February 07, 2007

OLD NICKELODEON PITCH

Found this while I was backing up some discs and clearing space on the old hard drive. This is from an old pitch for Nickelodeon for some spot or other. It wasn't successful unfortunately. All done in Flash utilizing the blur feature. I did a pretty rough ziptone for the sky, and the interior was paneled with a deep wood texture. The kids originally have different colored hair. Notably, I recall that the bairn in the car seat had blue hair to reflect the Nick Jr. channel, and was also wearing a blue romper.

Tuesday, February 06, 2007

ANIMEX

This week I've been working on "the job I can't talk about", so I'll say no more than that on the matter. I'm also working on two commercials that I will be able to say more about nearer the air date. I'm working, honest.

This week sees the start of the Animex international animation and computer games festival up in Middlesbrough for which I did the festival intro sequence which shows a boy and girl fighting over a TV remote. The girl wants to watch an old black and white cartoon while the boy wants to play video games.






As mentioned in other posts, this was also a testing ground for incorporating 3D elements, something I'm now currently doing in Grimmwood (though the 3D elements in Grimmwood will be used quite differently, there's a large amount of multi-planning in Grimmwood that then works into 3D, much like you see in the opening to Vermitterte Melodie). For the Animex intro the characters are the only 2D elements in the spot, everything else is a model, including the spaceship in the video game you see below. Because all the 3D elements are vector based, it fits snuggly with 2D vector Flash animation (Swift 3D was designed for that purpose). It's a lot of fun to use and I'm slowly learning just how much it can do, which is quite a lot.

Unfortunately I can't make it up to the festival this year (and I was really hoping to) due to various deadlines (as is usually the case this time of year). But I'm going to make definite plans to go next year and will be marking it in my calendar with a great big marker pen.

Monday, February 05, 2007

MORE JOANN SFAR AND KERASCOËT

As if Hyacinthe simply wasn't enough... from the excellent album "Monsters In Love" by Dyonisos, "Tes Lacets Sont Des Fées". There's a nice cut-out quality to some of the scenes.

HYACINTHE (BY SÉBASTIEN COSSET AND JOANN SFAR)

Hyacinthe is a track from Thomas Fersen's album 'Le pavillon des fous'(2005) which was animated by Sébastien Cosset and Joann Sfar (Sfar is a brilliant comic book artist from France who, along with Lewis Trondheim, brought us the wonderful Donjon).

The animation here is great, the colors are wonderful and the humor is lovely and dark as a psycho killer makes his way along the metro system through numerous victims.

Sunday, February 04, 2007

LIFE ON MARS

Life on Mars is back on the 13th of Feb apparently for the second and final series (after which, rumor has it, we get a spin off series set in the eighties called "Ashes to Ashes").

I LOVE this show regardless of its anachronisms. This is a teaser trailer for the second series in the style of 'Camberwick Green' and 'Trumpton' (children's TV shows from the late sixties watched by a generations of children in the seventies).

For anyone that doesn't know about this show; it's a live action BBC drama, modern day cop (Sam Tyler) gets hit by a car, wakes up in 1973 to find himself serving in a rather different police force.

Friday, February 02, 2007

TOM BAKER'S EYES & SUPERMAN'S KNICKERS

One very good reason I was terrified of Doctor Who when I was a kid. Two, actually. Tom Baker's eyes (relieved to hear from this snippet that I'm not the only one and that the presenter felt the same way). As for Superman's knickers ... utterly priceless.

Thursday, February 01, 2007

VERWITTERTE MELODIE

A much earlier example of 3D animation from 1942.

During the second world war, one of the many things Goebbels mandated for the German cartoon industry was the development of "three dimensional" effects that were to rival the Fleischer's "Stereo-optical" process and Disney's "multi-plane" camera.

Hans Fischerkoesen made this film, Verwitterte Melodie (Weather-beaten Melody) which really is a technical spectacle. The film is actually a rather daring albeit subtle criticism of Nazi ideals (daring because the Nazi party banned Jazz and swing music. The film also promotes positive cultural diversity, among other things).

WHAT THEY CAN'T DO THESE DAYS

Some footage here from an early Disney CG animation test directed by John Lasseter. The footage the spot refers to I remember seeing quite a number of years ago now (I think it was an Arena special, something like that, some BBC 2 animation special back in the earlier nineties). I was hugely inspired seeing this. In essence this is pretty much the technique of combining 2D with 3D that I'm using now for work like "Animex" and "Grimmwood".

Monday, January 29, 2007

MOONLIGHTING



Teething. What a joy. A week's worth of restless nights so far for my son. I think he's pretty much through the worst of it this time round. I can't wait for them all to come through.

As a result, I decided to combine dad duty with a little late night work on the Grimmwood teaser that's coming soon (above you'll see a bit of design work for it). It's actually a sponge scanned in at high rez and then put through various filters in photoshop, grey scaled, and then wrapped around a sphere in Swift 3D, exported as a shockwave flash and imported directly into Flash, set against a star map background I made earlier, with added blue glow in Flash and a shadow to form the crescent. In Grimmwood the moon is going to be enormous, so this is one of several tests for it. I am getting happily addicted to making planets and moons now.

Friday, January 26, 2007

"LONDON, THAT IS TO MEE SOE DEARE AND SWEETE..."

"... in which I was foorth growne; and more kindely love have I to that place than to any other in yerth ..."
- Geoffrey Chaucer (The Testament of Love).
I was born in London back in the days when everything was brown and orange, when winter's fulfilled their promise of snow and a half pence was valued currency in any sweetshop. We were still at risk of being washed away with the evening tide because there was no Thames Barrier. I would later stand beside General Wolfe (Admiral to me) looking out over the city as the docklands took shape and from the art room of a sixth form college I watched Canary Wharf gradually take its place on the city's skyline, slowly rising against a montage of setting suns.

Somewhere beneath my feet there lay Jack Cade's Cavern, rumored to contain an effigy of the Horned God. And he sounded like a reasonable chap to me...
"And here, sitting upon London-stone, I charge and command that, of the city's cost, the pissing-conduit run nothing but claret wine this first year of our reign."
- Henry VI, part 2, Act IV, Scene VI (Shakespeare.... from whom we also get the line "The first thing we do, let's kill all the lawyers")
Through my college years that pissing-conduit ran more than just claret wine. I liked my stories of rebellion, but I loved more, and still love, the city that lay hidden beneath the streets.

At the end of 2001 I traded London for Nottingham. A city also filled with local legends of revolution and highwaymen and with history beneath its streets. I've been back to London on occasion, mostly for work meetings, but I have not traveled underground since 2001 (opting instead to walk from St. Pancras, over the River Fleet, to Soho via the British Museum... and Gosh! comics of course). I've been on the District Line, when I visited my mother with my wife and son (in September I think it was) last year, but the District line isn't quite like the Northern Line or the Victorian Line which takes you right down into the belly of the beast.
"Hell is a city much like London - A populous and smoky city."
- Percy Bysshe Shelley.
So I hopped on the Victoria line to get to a meeting regarding a project I can't talk about. Gone was the daily ritual of squeezing onto one of these tube trains in the morning and at the end of the day, each day, and I couldn't be more glad of that. I was so out of practice with it all I even forgot how to use the ticket machines, much to the delight of the people behind me.

After the meeting I then wandered over to Picasso Pictures to say hello to everyone at HQ there. It was lovely to see familiar faces once again, people, though I work with on a regular basis, I miss the company of. I've been a director there for almost 10 years now, and most of us have got married, had children, all that sort of thing. It feels like family. I was also pleased to finally meet new people I'd only ever spoken to on the phone (as many meetings are conducted via conference calls). On my journey home I realized that whilst I may have left London, London hasn't left me.

One final touch of nostalgic bliss for me this week arrived on Thursday when I started experimenting with textures for 3D elements in Flash. The images below are part of an animated flyby imported straight into Flash from Swift 3D. It is something I have wanted to do since I first saw the Battle of Yavin in Star Wars: A New Hope. There's something rather therapeutic about making planets, albeit as simple as the results I've achieved are (this is just a small step in a new direction for me; I can't wait to get properly stuck into star maps and heavenly nebulae). I think I now see what Slartibartfast* saw in it all.


*no prizes for guessing the link between Slartibartfast and the Battle of Yavin.

Monday, January 15, 2007

SHEER FOLEY: ADVENTURES IN SOUND

Just finished a commercial and have also finished the animation for Animex (applying sound at present having scored the music for it). It's been a remarkably busy week already and it's only Monday.

This weekend I bought portable digital recording equipment and fancy microphones so as to build on my Foley library and have been recording the inside of my freezer, throwing water containers around a room, throwing bags of frozen peas at the wall, turning on taps, splashing about, jumping about, whooping, cheering, laughing maniacally, all the usual stuff that makes my neighbours wonder what I do for a living. The sound from these bouts of madness are then put through garageband, cleaned up, altered (bass boosts and pitch shifts for impact sounds etc), and filed in the library under files labeled as "Ambience", "Booms", "Running", etc.

I love Foley and sound design. It started as a hobby of sorts and now it's increasingly becoming part of my working day / weekend / life. I was about eleven or twelve when I bought "Sounds Effects Vol 13: Death and Horror" on vinyl. What I loved most about it was finding out that "red hot poker in the eye" (how could anyone forget a track title like that?) was in fact a red hot poker being squashed into a cabbage (if I remember correctly). I think cabbages were used for 'neck twisted and broken' too. Poor cabbages. Opening and closing an umbrella would provide the sound for a vampire bat, and if it was labeled as such then how could anyone argue? It wasn't the horrid nature of the record that tickled me, rather it was the ingenuity of the Foley artists, sound designers in coming up with all the gruesome and imaginative sounds that thrilled me, and still does. Wonderful stuff.

Ben Burtt is probably one of my sound design heroes, for having been the sound designer on some of my favorite movies, the Star Wars original trilogy. I think it was either Empire Strikes Back, or Return of the Jedi, one of the two, that I went to see in Leicester Square in London and watched it in one of the first cinemas able to handle the movie's sound requirements which today is commonplace (the sound of Tie Fighters flying in overhead as though it was right there in the cinema was an incredible thrill). Tie Fighters screeching past the camera were actually the modified sound of elephants, blaster sounds were made by tapping wires on a radio tower, and the sound of a lightsaber was a combination of a TV Set and a 35 mm projector.

I remember, round about that time, using a rather old cassette recorder to make my own sound effects tapes (raiding the refrigerator for vegetables, I've no doubt). I recorded my own Incredible Hulk radio play, doing all the voices myself, using the sound of unfurling (is that the right word?) sellotape for the sound of the transformation. So, this weekend certainly brought back one or two fond memories.

Sunday, January 14, 2007

PRIMEVAL URGES!

New TV show (six part drama) coming to ITV1 here in the UK called Primeval. You can see a teaser trailer for it here. When Nick Cutter (Douglas Henshall), says in the teaser, "Some force, out there, ripped the boundaries of time and space to shreds", a little mischievous voice in my head says, 'yeah, he's called the Doctor and he's over on BBC1.' That said, the thought of dinosaurs roaming through the streets of London gets my vote, so I'm looking forward to it, and the teaser looks great (the kid armed with a toy lightsaber investigating a disturbance reminded me of Spielberg's cinematic motifs for some reason).

It's great to have another addition of science fiction to our prime time telly, and Primeval certainly sounds lavish what with it's million per episode budget.

Saturday, January 13, 2007

QARLO KOBREGNY FROM THE OUTER LIMITS

"There is nothing wrong with your television set. Do not attempt to adjust the picture. We are controlling transmission. If we wish to make it louder, we will bring up the volume. If we wish to make it softer, we will tune it to a whisper. We can reduce the focus to a soft blur, or sharpen it to crystal clarity. We will control the horizontal. We will control the vertical. For the next hour, sit quietly and we will control all that you see and hear. You are about to experience the awe and mystery which reaches from the inner mind to... The Outer Limits." — Opening narration (The Outer Limits)
I picked up The Outer Limits, season 2 today. Sat down to watch the first episode, Soldier, and found it starred the very person I had been talking about in an earlier post. Michael Ansara, aka: Mister Freeze, who plays Qarlo Kobregny, a soldier from the future. The episode is also of marked importance, being Harlan Ellison's first teleplay. Ellison would go on to be creative consultant for The New Twilight Zone some years later.

It's a small yet wonderful world.

DO YOU WANT TO SEE SOMETHING REALLY SCARY?

The prologue to The Movie probably sums up the orginal tv series best as the two guys in the car talk about their favorite episodes. I LOVE The Twilight Zone (the original series). One of my all time favorite shows (and this prologue from the movie pin points a few of my favorite episodes). I think my boxed set DVD collection is wearing thin from repeat play. The show also showcases the work of one of my favorite writers, Richard Matheson (who wrote "I Am Legend").


Oh, and Dan Aykroyd's Character's right, "A Kind of a Stopwatch" IS a Twilight Zone episode. Another classic. Also, that's Burgess Meredith narrating at the end after they mention his particular episode (which is a great episode called "Time Enough At Last").

THE SHIP HITS THE FANS

I found out about this via AICN (Ain't It Cool News). I quite liked Star Trek as a kid, but it wasn't something that stuck with me. To be fair, I had Star Wars and Doctor Who.

I recently acquired Star Trek season 1 after having watched Shatner as Bob Wilson in “Nightmare at 20000 Feet” which happens to be written by one of my favorite writers, Richard Matheson.

Very much enjoyed Trek Season 1. Notably a very TZ style episode "The City on the Edge of Forever" guest starring Joan Collins.

The main thing I absolutely love about all those episodes is the vivid primary colors. Absolutely wonderfully rich, saturated reds, yellows and blues. And it's something these restored versions punch out wonderfully (if you go to http://www.startrek.com/ you'll see what I mean).

Wednesday, January 10, 2007

MY NAME IS STAN LEE

A good chum of mine, Colin Fawcett emailed me this. I can't quite get over Tom Postman's (is that his name or was that my hearing?) shirt collars. They look deadly.

Friday, January 05, 2007

HEDGEHOG IN THE FOG

A wonderful film. Made in Moscow in 1975. Directed by Yuriy Norshteyn and written by Sergei Grigoryevich Kozlov. The fog effect was achieved (stop reading now if you don't like to know how things were done) placing very thin paper over the scene. When the scene required more fog, the paper was lifted towards the camera, frame by frame allowing the animator to completely envelope the scene in fog.

Norshteyn is presently working on a feature film called "The Overcoat", which he started back in 1981, of which 25 minutes currently exists.

Thursday, January 04, 2007

BE A STRANGER!

I have been busy of late. Towards the end of last year I set about trying to scrape in as much paid work as possible so as to tide me over on the production of Grimmwood and have found myself with so much work I've had little-to-no time for the project (and am eager as anything now to get back to it). I've been finishing production of the Animex festival intro animation and have employed a sizable portion of the 3D skills I set about learning for Grimmwood and so really, the Animex job has proved a 'working run' for Grimmwood in terms of set building and camera jiggery-pokery. I've learned quite a lot from doing it with regard to lighting and target cameras performing flybys. All tip top fun.

Wednesday, January 03, 2007

TONY VS PAUL

Happy New Year. What better way to start 2007 than with some great stop motion. You'll believe a man can fly!